She did not even try to paint according to fashion and trends. Instead she offered something authentic, she invented the writing and the syntax, “she is the only one who speaks that language but everybody understands it”…they form a synthetic totality but they are confronted between themselves: form-fitting line and geometric surfaces, the expressive gesture and symmetry-the balance of masses, the glitter of silver and golden surfaces, colorful serenity, urban buildings and rural sights….” My paintings are not made according to the plan, they just happen. It leads me, I do not lead it.”- these are the words of this author who deeply penetrates into spirituality and shifts the focus of her art work from visual to intellectual and spiritual plan.
In intensive graphic, tranquility and aesthetics, geometric forms witness to one strict and resistant artistic concept. It is primarily expressed by graphically precise drawing-contour that dominates her creative stages and cycles. Aiming at pictorial situations of the essential substratum, she was moving consistently in categories from concretion and association to abstract, from the frozen psychological projection of faces to cosmic and transcendental areas, from the Art Novae, Antique and Byzantine elements to geometric abstractions in the style of Euclid's.